Edward Lambert
β
βcomposing for concert & stage
Edward Lambert has created instrumental, choral and community works as well as 22 chamber operas of various shapes and sizes.
- "A fascinating take... packed full with stunning music... fusing a traditionally dynamic Bel Canto score without feeling the least bit dated." (Broadway World)
- "...seamlessly transitions between sombre, vengeance-laden moments, and tenderly poignant love sequences, offering a tightly woven score that sustains its allure throughout... " (The Wildean, July 2024)
- "...felt sumptuously melodic, as well as busily fresh, with strong, intensely written passages building to moments of euphoric surprise." (operissima)
- "...approachable, but contemporary musical style..." (Planet Hugill)
- "...intriguingly offered elements of bel canto vocal writing to vie with a more ‘modern’ idiom..." (boulezian)
- "...a score whose eroticism was often visceral." (The Guardian)
- "...became increasingly disturbing, and confirmed Lambert's effective text-setting." (Opera Today)
- "...is always strongly directional and full of emotion..." (Newbury Weekly News)
- "...strikingly imagined..." (The Times)
- "...inventively-textured and syntactically original music..." (Daily Telegraph)
Latest news...
Erwachen
dramatic cantata / chamber opera
text: August Stramm (1874-1915)
in German
for soloists, choir & small orchestra (or ensemble)
45 minutes
dramatic cantata / chamber opera
text: August Stramm (1874-1915)
in German
for soloists, choir & small orchestra (or ensemble)
45 minutes
Twelfth Night
(or You Know What)
a comic opera
adapted from Shakespeare's play
cast of 9
small instrumental ensemble
2 hours (+ interval)
(or You Know What)
a comic opera
adapted from Shakespeare's play
cast of 9
small instrumental ensemble
2 hours (+ interval)
Recent works: